Realistic Magicalism

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“BBR” stands for “Beloved Beta Reader!”

A few weeks before Christmas, I completed the first draft of Rivers and Roads (I’m pretty confident I’m going to keep that as the title, this time.) By now I’ve entered it all into electronic format, done a couple of structural overhauls, and several passes through with an eye to basic line-edits. Today I’m going to complete the line-edits of the final chapter. This means I’m about to embark on the Beta Reader phase of this manuscript. I’m excited about that!

I am the opposite of excited about what I need to do once my BBRs start reading. That’s when, according to my List O’ Goals ’22, it’ll be time to hit Query Manager and start compiling a spreadsheet of agents who might, possibly, be excited enough about this novel that I should consider querying them.

It’s not that I dread rejection. Rejection is just proof to me that I am a Real Writer(tm)! It’s just that queries are supposed to state the novel’s genre, and cite comps.

“Comps,” in literary-speak, are books or authors published recently (preferably in the past two years) to which I can point and say “If you liked that, then you will love this manuscript, because it has the same premise and atmosphere in a similar setting.” I could probably find any number of books that have the same basic premise and atmosphere, or the same atmosphere and setting, or the same premise and setting, but never all three.

My readers have informed me that what I write is “Contemporary Southern Gothic Fantasy” and I like that. I’ll run with that as my genre even though it, technically, does not exist. Trying to find comps, however, fills me with an overwhelming sense of frustration, dread, cynicism, anger, outrage, bitterness, hopelessness, and the urge to throw any device on which I’m searching for comps through the nearest window (whether or not said window is open.)

People tell me I should just say: “Imagine Urban Fantasy Title A meets Literary Magical Realism Title B,” and this is good advice. But would I really be able to get away with saying things like: “Imagine Twilight has grown up into an intelligent woman who can spot a toxic relationship a mile away but has no time for them anymore because she’s too busy saving innocent ghosts from paranormal TV show hosts” or “Imagine Allison duBois finally dumps her whiny-ass husband and moves to Innsmouth.”

(Or could I get away with this? I don’t suppose it would hurt to try… If it would, please stop me before I do it. Thanks.)

Amazon often tags my books as “Urban Fantasy,” but it wouldn’t work to try to hook an agent with this claim. They’d be disappointed at the lack of, well, an urban setting, mainly. But also the lack of sexy supernatural shapeshifters who lust after mayhem. The only mayhem in my distinctly non-urban fantasy settings is committed by human denizens. Agents who represent Urban Fantasy would be irritated that I had wasted their time by “not doing my research,” or “not understanding the market,” and rightly so.

Amazon also often lists my work under “Magical Realism,” but I’ve learned the hard way that people who love Magical Realism do not like my work, because there’s (and this is a direct quote from a review) “too much magic.” Apparently you are not allowed to come right out and reveal that the magic is actually real, in Magical Realism. Any magic alluded to must never be proven to exist anywhere but in the POV’s highly unreliable head. Well, I don’t mind reading that kind of thing, but it’s not what I write (and I’m really not interested in ever writing it.)

I think what I write is closer to Realistic Magicalism. Too bad there is no such genre.

At least, there isn’t one now. But maybe there will be, someday when authors start using my work as comps.

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A Midnight Clear is available for pre-order

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After I launched Ghost of a Chance out into the newly locked-down 2020 world, I intended to take a purposeful break for a few months. I would do some reading, particularly of old, gothic classics such as “Jane Eyre.” Maybe even take a class or two to polish my craft.

As I carefully picked through my towering To Be Read pile (ready to run, in case it came crashing down on my head) I came across a notebook that looked vaguely familiar. Upon opening it I recognized my own “handwriting” and realized: this was the notebook in which I had penned my 2019 NaNoWriMo project. I remembered, then! I had written it to explore the idea of what Christmas must be like at Vale House in Woodley, USA.

I won NaNo that year, by the way. The rough draft was nearly complete at just over 50,000 words. All it needed was a bit of revising, a few editing passes, and hey presto, I could publish it in time to give it as Christmas gifts to all my beloved critique partners and beta readers. Right?

As you might expect, it turned out not to be as simple as that. “Revising” quickly became “completely rewriting,” and I soon found myself turning my back on my long-neglected TBR pile. I was still determined to keep this manuscript short, though. Well, short for me. Just a bit of Christmas fluff. A Hallmark special to tuck into the boxed set as bonus content, someday, maybe.

I just couldn’t stick with the “fluff” part, though. I found myself getting really serious about making this tale as fully-developed a story as the rest. The final result turned out, I think, a bit too dark for Hallmark. But it’s just the right flavor for existing fans of Woodley, USA and its quirky denizens. And I did manage to keep it down to around 50K! That is quite an accomplishment, for me. I’m really proud of myself about that!

I also believe A Midnight Clear, while it revisits many of the town’s most beloved characters, fills out their storylines and answers many reader questions about them, has turned out to be a story which is able to stand perfectly well on its own, even for people who have never read any of the other books.

It’s available for pre-order now in All the Usual Places, and will be officially released for retail sale on November 16, in time to get you into the spirit of whatever midwinter holiday you may be celebrating. And now, I promise, I will get to that Reading Pile, and I will take a Masterclass or Skillshare class (or maybe both!) And then I will begin research for my next series, coming soon to a mysteriously enchanted border-town near you.

Whatever you are celebrating this midwinter, I wish you warmth and cheer and good health and, if possible, loved ones all around you. To your health!

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NaNoWriMo Preptober 2018

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Do you NaNo? If you’ve ever had even a hankering to try your hand at contributing something to the worldwide body of fiction, National Novel Writing Month is a good place to start. For one thing, you’ll get lots of support and encouragement, and afterward the whole idea of “writing a book” will seem far less daunting. It’s amazing, it’s true: you actually can do this. I am not kidding.

In addition, you’ll discover a community of writers you never knew existed all around you, and you’ll find out another thing I was amazed to discover: Writers, as a body, are really amazingly nice people! Most nerds are. (Oh, yah, if you’re a nerd, you’ll also find, among writers, a much higher percentage of nerds than you’ll find anywhere else. What’s your nerddom? Doctor Who? Night Vale? Local indy bands nobody else has heard of? Chances are, everyone in your local NaNo group will also have at least one of these interests – and some of them might share all of them with you. It’s mind-boggling!)

I started Moonlight and Moss as my 2017 NaNo project, though I knew it was going to run well over the requisite 50,000 words required to “Win” NaNoWriMo. This year, I am going to work on a short (well, short for me!) novella revolving around what it must be like to experience the Christmas season in Woodley, USA. I can well imagine that, at Vale House, Santa Claus really does slide down the chimney on Christmas Eve. He probably hangs around eating hors d’oeuvres (I wonder if Katarina will finally make tacos?) and drinking the special Christmas brandy.

This won’t really be part of the current “trilogy” featuring Cally, Ben, and Emerald, though they will be present for Christmas this year. Maybe someday I’ll include a bound copy of the story as bonus content with the boxed set.

Best of all, NaNoWriMo is for a good cause, whether your participate as a writer or by supporting an aspiring writer you know. Proceeds from donations to National Novel Writing Month provide the structure, community, and encouragement to help people find their voices, achieve creative goals, and build new worlds—on and off the page. Their Young Writers Program promotes writing fluency, creative education, and the sheer joy of writing in K-12 classrooms by providing free classroom kits, writing workbooks, Common Core-aligned curricula, and virtual class management tools to more than 2,000 educators from Dubai to Boston. For more information please visit their web site: NaNoWriMo.org

 

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