And so it begins. Again…

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Moon reflected in river

Yesterday I officially began writing my next series. I’m still not sure how I feel about this, but by the time I was able to stop myself writing I had penned over 4,000 words!  

I’ve been planning this, both in my head and on paper, for a long time. That’s probably why the first day’s writing went so smoothly. I’ve been saying, ever since I released A Midnight Clear, that I’d spend the first 3 months of 2021 reading, reading, reading – and then start writing again on April 1. But I have an appointment for my first Covid vaccination on April 1, so I said the heck with it, I’m just going to start writing right now.

I’d been thinking so obsessively about the beginning of the new story for so long that by the time I sat down to write it, I couldn’t stop until I came to the end of … well, what I’d thought was going to be the first chapter. Turns out it’s probably more like three chapters. Am I overwriting again? That’s what I do. I have set myself a goal of 80,000 words for this first volume which, to make it more appealing to potential agents, is a “standalone with series potential.” I am determined to stick to this low word count. Well, 80K is low for me! I can always edit and make it shorter. I mean, I always have to do that anyway!

This is what some might call my “zero draft.” I write the initial draft by hand, with an actual pen, on actual paper. I understand old farts like me find the hand/body component of handwriting to be beneficial to our creativity. I don’t know about that, but being forced to slow down, if only to keep my handwriting legible, does give my brain time to imagine details and make connections to future scenes in the story. If I write on the computer at first, I end up having to go back and put these connections and details in later. I spend a lot less time fixing plot holes down the road, this way, and a lot less time lying awake at night trying to iron out problems in the story that just don’t happen in the first place when I write by hand.

So in a few minutes I’m going to start typing what I handwrote into a Word document. This will be what I refer to as my “first draft.” While I’m typing, I’ll do a bit of line-level editing.

But! I must discipline myself not to spend a lot of time doing syntactical or atmospheric edits at this stage! I have learned the hard way, after many years of struggling, that if I start seriously editing now, I will get stuck in an endless cycle of rewriting and revising one page, one paragraph, one sentence over and over, and will never finish the actual book. I now make it my strict policy to make sure I am at least 3 chapters ahead with my handwritten draft before I begin typing it in, and eight chapters ahead in my first typed draft before I allow myself to edit anything in previously typed chapters. Once I’ve worked my way to the end of the story this way, that is what I consider to be a finished first draft. After that come second, third, and subsequent drafts.

And so it begins. Again

As I mentioned at the beginning of this post, I’m not sure how I feel about this new beginning. I feel the story itself is quite good – well, has the potential to be quite good – but I miss Woodley, and Cally and Georgie and all the rest. I really fell in love with that whole story-world and its characters, and I did it quite quickly! I still vividly remember how I felt when I left the coffee shop on that first day, after writing the first two chapters of Seven Turns. I felt like my feet weren’t even touching the sidewalk as I walked to my car. I was over the moon – and wishing I had someone I could talk to about what I was feeling! But there wasn’t anyone, at the time. That is actually a large part of the reason I created this blog, to tell you the truth. Just to have someone to talk to about how excited I was about my story, even if it was just a theoretical audience.

Well, I have a wonderful circle of writerly friends, now, and a real-world audience. And I was pleased with myself, yesterday, but not floating. I felt accomplished, but not in love. Cally et al are a hard act to follow, it seems. I like my new MC well enough. And I’m starting to get a little turned-on by the new love-interest, even though he’s only appeared for a few seconds so far. I’m looking forward to discovering the new town and its denizens. It really is a beautiful and intriguing place!

But I remain skeptical, somehow. I really hated having to say goodbye to Woodley, and now this new world feels kind of like a new pet. You know – one you adopt after losing one you’d loved for so long. You know you’ll come to love the new pet just as much in time – and you will! But it hasn’t happened yet.

The Inn at night

I guess I should be excited about finding out how it’s going to happen. Well, my new MC is a skeptical type herself, so maybe she and I will figure it all out together!

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A Midnight Clear is available for pre-order

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After I launched Ghost of a Chance out into the newly locked-down 2020 world, I intended to take a purposeful break for a few months. I would do some reading, particularly of old, gothic classics such as “Jane Eyre.” Maybe even take a class or two to polish my craft.

As I carefully picked through my towering To Be Read pile (ready to run, in case it came crashing down on my head) I came across a notebook that looked vaguely familiar. Upon opening it I recognized my own “handwriting” and realized: this was the notebook in which I had penned my 2019 NaNoWriMo project. I remembered, then! I had written it to explore the idea of what Christmas must be like at Vale House in Woodley, USA.

I won NaNo that year, by the way. The rough draft was nearly complete at just over 50,000 words. All it needed was a bit of revising, a few editing passes, and hey presto, I could publish it in time to give it as Christmas gifts to all my beloved critique partners and beta readers. Right?

As you might expect, it turned out not to be as simple as that. “Revising” quickly became “completely rewriting,” and I soon found myself turning my back on my long-neglected TBR pile. I was still determined to keep this manuscript short, though. Well, short for me. Just a bit of Christmas fluff. A Hallmark special to tuck into the boxed set as bonus content, someday, maybe.

I just couldn’t stick with the “fluff” part, though. I found myself getting really serious about making this tale as fully-developed a story as the rest. The final result turned out, I think, a bit too dark for Hallmark. But it’s just the right flavor for existing fans of Woodley, USA and its quirky denizens. And I did manage to keep it down to around 50K! That is quite an accomplishment, for me. I’m really proud of myself about that!

I also believe A Midnight Clear, while it revisits many of the town’s most beloved characters, fills out their storylines and answers many reader questions about them, has turned out to be a story which is able to stand perfectly well on its own, even for people who have never read any of the other books.

It’s available for pre-order now in All the Usual Places, and will be officially released for retail sale on November 16, in time to get you into the spirit of whatever midwinter holiday you may be celebrating. And now, I promise, I will get to that Reading Pile, and I will take a Masterclass or Skillshare class (or maybe both!) And then I will begin research for my next series, coming soon to a mysteriously enchanted border-town near you.

Whatever you are celebrating this midwinter, I wish you warmth and cheer and good health and, if possible, loved ones all around you. To your health!

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I Believe There’s a Ghost of a Chance

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Ghost of a Chance preliminary cover art

This whole pandemic thing has really squashed the mojo out of a lot of creative people I know. Though supportive of others, I believed myself immune to this effect, since the third volume of the Woodley, USA saga was already written and in Beta by the time the seriousness of our situation became undeniable. All I had left to do (I told myself) was edit and format – technical, left-brained tasks I would have no trouble performing under the stress I wasn’t admitting I felt anyway.

But I guess I was also subject to the creative brain-fog, after all, because I really have been procrastinating things I need to be doing to get this book out the door on time. For one thing, I’ve been completely neglecting this blog! And I was avoiding getting to work on my back-cover blurb the way I avoid doing my taxes.

What helped me break this block was deciding to work on cover art instead. Unable to summon my favorite model for a new photo-shoot, I went through all the old photos of green-screen Cally, and suddenly my mind was filled with possibilities! I arbitrarily selected a Cally and color-corrected her outfit, setting her against a background and adding the proper atmospheric elements. To my surprise and joy, the whole while, my back cover description played through and through my head. By the time I was done, my blurb was nearly ready for prime time.

But I continued to struggle with the title. And you can’t make a cover without a title!

For the first two volumes in the Woodley, USA series, I had employed working titles that eventually felt so right, I ended up keeping them as actual titles. This experience did not repeat itself for me, this time. My original working title, “Rivers and Roads,” just did not seem to fit the story anymore, once it became full-blown. I tried everything! Brainstorming with Beta readers and CPs, free-association drawing, scribbling random words on slips of paper and pulling them out of a zipper bag. Nothing worked.

So for a few days, I tried to clear my brain while watching YouTube video tributes to Neil Peart. It would be hard for me to proclaim any one Rush song as my favorite, but “Ghost of a Chance” has always been one of my top fifty or so. Now that Neil is gone, his beautiful lyrics feel all the more poignant. I’m not sure why I did, but for some reason I held the title of this song up against my manuscript. It literally gave me chills.

A quick online search showed me there are already hundreds of books out there with this title. Well, that was a bummer. I talked it over with my CPs and readers. They all said. “Yeah, but if it gives you chills…and by the way, it gives me chills, too.”

My Biggest Fangirl said “Always go with your chills!”

So. There you go. I believe there’s a Ghost of a Chance.

Because Neil.

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Moonlight and Moss – Coming Very [Very!] Soon

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It’s official! The release date for Moonlight and Moss is May 31, 2019. But you can pre-order it right now (see links below)!

Now, I’ve never understood authors who make their pre-order price higher than the regular price. It’s like you’re punishing your biggest fans for their enthusiasm. I think my Biggest Fans should be rewarded! Honestly, I’d make the Kindle version like 1 cent for pre-order but Amazon doesn’t allow anything lower than $2.99, so I did my best! The pre-order price is $2.99 – after June 1, the price will be going up to $4.99. Barnes & Noble has made the paperback available for $11.99; after release it will go up to the full price of $15.99.

My journey to deciding to self-publish was fraught with self-doubt and anxiety, but I’m glad now that I did it. The interior design stuff (especially getting the pagination to match up with my table of contents) was kind of a nightmare! But I really had a lot of fun being an active participant in the cover design. I’m really proud of the final product, and I hope you’ll like it, too!

Let me state unequivocally, here, for any other authors considering whether to self or traditionally publish:

Fear of “loss of creative control” should never be a factor in deciding whether or not to publish traditionally because, frankly, it’s a complete and utter myth.

Even with traditional publishers, the author retains authority (that’s where the word “author” comes from, peeps!) and has final say over any and all suggested changes. Fear of “loss of creative control” was not why I decided to self-publish Moonlight and Moss. I chose this route because it became evident to me early in the querying process that it was highly unlikely any traditional publisher would ever be willing to pick up the second book in a series. Once I finish Cally’s story arc in the Woodley, USA universe (this will happen when Rivers and Roads is released in 2020) I will begin a new series. It will probably also take place in Woodley, but since it will be a whole new series with a whole new main character, I will be ready to begin pursuing traditional publishing again.

Because I have other things to do besides going crosseyed formatting text for PDFs and .epubs. I have many books to write before I sleep!

Oh, and that reminds me: Who would you like the main character of the next series to be? Is there anyone you’ve already met whose story you’d like me to explore from their own point of view? Or would you like a new main character all together? Let me (as the YouTubers say) know in the comments below.

[Pre-]order Moonlight and Moss:

Somebody’s Calling Your Name…

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New Year, New Story, New Plan

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So I took a break, after finishing the final draft of Moonlight and Moss (working title – but probably actual title, too!) to clear my mind before diving into Query Hell once again.

During the month of November, I participated in NaNoWriMo and wrote a little (for me) vignette about what Christmas is like in Woodley, USA. I really like how it came out! It’s been fascinating to find out why it snows every Christmas in Woodley, in a part of the country that ordinary doesn’t get snow at all. And, I found out what happens if you don’t have a wish to whisper into Santa’s ear at midnight on Christmas Eve.

Christmas at Vale House

I’m so pleased with it I’m going to polish it up and self-publish it as a gift to my readers. Someday I’ll also include it in the boxed set once the third Woodley novel comes out. The title is A Midnight Clear. Chronologically, it falls between Moonlight and Moss and the third volume which does not, yet, have a working title.

Now that I’ve got all the Beta-reader input back on Moonlight and Moss, I’m going to comb through it one last time to make sure it’s as perfect as possible before I begin submitting it for publication. I have received some great coaching on querying from people in the industry (particularly from Meg LaTorre at iWriterly, who gives a great online class on query-writing) and maybe I’ll have better luck this time finding good representation for traditional publishing.

That was my New Year Resolution for 2019: to find a new traditional publisher.

And here I must apologize to you, dear readers. Since I am, in fact, looking for a new publisher for “Moonlight and Moss,” this means it will take longer to hit the shelves than I anticipated, had I stayed with my current publisher. I feel terrible about this, because I know so many of you are clamoring for the next story. Believe me, I can’t wait for you to see it, either! But I really do feel these stories at least deserve a publisher which has distribution and marketing capabilities, and I must do right by them and find one.

To make it up to you for this delay, I’m going make the story I wrote about Luke, the proprietor of Motherboard Pizza, available for free. I can do this for the e-book version, anyway, though Amazon does require I put a minimum price of $2.99 on paperback copies. It includes a map of Woodley and the floor plan of the ground floor of Vale House, if that sweetens the bitter pill at all!

Also, I intend, in the interim, to give you some sneak-peeks at sample chapters of Moonlight and Moss, here on my blog. Stay tuned…

I know that’s not what you’re asking for, though, and I do promise to get “Moonlight and Moss” out there as soon as humanly possible. Without taking shortcuts on quality or on carefully reviewing publishers’ qualifications, of course!

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