This is the third and final story in Callaghan McCarthy’s story-cycle, but it is far from the last story to take place in the strange world in which she has found herself (which just might be, for all we know, actually the same world we all live in right now. *wink*)
The back-cover blurb says this:
A year after her arrival in Woodley, USA, Callaghan McCarthy has become the manager of Vale House, a haunted B&B on the edge of a faerie meadow. The town elders are letting her in on more and more of the closely-guarded secrets that make this strange town tick. Best of all, her relationship with Ben Dawes has blossomed into a full-blown romance.
She is supremely content with her lot, until one of the town’s most beloved citizens dies, turning her weird but happy little world upside down.
In the midst of the tumult, a famous television ghost-hunter offers to cleanse Vale House of its resident spirits. Naturally, Cally and the other staff flatly refuse this offer. After the obnoxious guest leaves, however, the ghosts seem to disappear with them.
Cally is determined to rescue her spectral friends and bring them home, though she begins to understand she must travel to a very dark place to find them. In order to succeed, she must do something that frightens her even more: she must learn to trust those who claim to love her.
The eBook is available for pre-order from Amazon right now for $2.99 through May 30. After it’s official release date, May 31, the price will go up to $3.99 so pre-order while you can!
The paperback version is also available for pre-order, but only through Barnes and Noble or (if you ask them nicely to acquire it for you) your local Independent Bookseller. Unfortunately, the A-word does not allow indy authors to provide pre-orders of paperbacks, which is just one of the many reasons why I like Independent Booksellers so much better!
If you don’t know where your nearest Independent Bookseller might be, you can check at Indiebound.org (I bet you’ll be pleasantly surprised to find out there are more than one of them, and closer to you than you thought, too!)
And now, dear readers, before I get to work on a whole, new series, I am going to take a break to just read and read and read! My To Be Read pile is nearing dangerous proportions – I’m afraid it could topple and injure someone. (I really should write a book about that, someday, shouldn’t I?)
This whole pandemic thing has really squashed the mojo out of a lot of creative people I know. Though supportive of others, I believed myself immune to this effect, since the third volume of the Woodley, USA saga was already written and in Beta by the time the seriousness of our situation became undeniable. All I had left to do (I told myself) was edit and format – technical, left-brained tasks I would have no trouble performing under the stress I wasn’t admitting I felt anyway.
But I guess I was also subject to the creative brain-fog, after all, because I really have been procrastinating things I need to be doing to get this book out the door on time. For one thing, I’ve been completely neglecting this blog! And I was avoiding getting to work on my back-cover blurb the way I avoid doing my taxes.
What helped me break this block was deciding to work on cover art instead. Unable to summon my favorite model for a new photo-shoot, I went through all the old photos of green-screen Cally, and suddenly my mind was filled with possibilities! I arbitrarily selected a Cally and color-corrected her outfit, setting her against a background and adding the proper atmospheric elements. To my surprise and joy, the whole while, my back cover description played through and through my head. By the time I was done, my blurb was nearly ready for prime time.
But I continued to struggle with the title. And you can’t make a cover without a title!
For the first two volumes in the Woodley, USA series, I had employed working titles that eventually felt so right, I ended up keeping them as actual titles. This experience did not repeat itself for me, this time. My original working title, “Rivers and Roads,” just did not seem to fit the story anymore, once it became full-blown. I tried everything! Brainstorming with Beta readers and CPs, free-association drawing, scribbling random words on slips of paper and pulling them out of a zipper bag. Nothing worked.
So for a few days, I tried to clear my brain while watching YouTube video tributes to Neil Peart. It would be hard for me to proclaim any one Rush song as my favorite, but “Ghost of a Chance” has always been one of my top fifty or so. Now that Neil is gone, his beautiful lyrics feel all the more poignant. I’m not sure why I did, but for some reason I held the title of this song up against my manuscript. It literally gave me chills.
A quick online search showed me there are already hundreds of books out there with this title. Well, that was a bummer. I talked it over with my CPs and readers. They all said. “Yeah, but if it gives you chills…and by the way, it gives me chills, too.”
My Biggest Fangirl said “Always go with your chills!”
So. There you go. I believe there’s a Ghost of a Chance.
As a woman who is blessed to have met and married every woman’s dream: a partner who Loves To Talk to Her, I have had to resort to some extreme measures to obtain unbroken time to write without interruptions. These measures include but are not limited to: going somewhere else to write (I love my local coffee shop!) and erecting a large easel in front of my office door with “Shhh!” spelled out in glittery hearts on a large project board. Unfortunately, I have not yet figured out how to attach electrified concertina wire to this sign, so it’s all too easy for said beloved partner to just poke their head around it and interrupt “for just a sec – I promise this really is important!” several times per hour.
In an attempt to clarify what actually is and is not important enough to interrupt me with while I am writing, I drew up the following document. I don’t know if it will help, but I offer it here for you to use as a template should you find yourself encountering similar difficulties communicating boundaries to your well-meaning loved ones. (Note: My husband is a consultant who teaches online business classes to adults, so you may need to edit the “Basic Rule of Thumb” to fit your own situation.)
When It Is OK to Disturb Me While I Am Writing
Basic Rule of Thumb:Do not call my cell phone or pop in to personally speak with me except for matters about which you, yourself, would find it appropriate for someone to interrupt you while you are actively in the process of teaching a class full of live human students.
To assist in clarification and choice-making, Specific
Instances of such matters are defined below.
Do not attempt to speak with me during my writing day unless
one or more of the following conditions has been met:
Our house is on fire
The house of Someone I Care About* is or has recently been on fire
The town we live in is on fire
The town I work in is on fire
You have a lead on a new puppy for me but want me to meet it before you commit
Someone I Care About* (see definitions in the “People I Care About” section below):
needs to be bailed out of jail
is in Grave Mortal Danger
(Note: “Grave Mortal Danger” may include but is not limited to being admitted to the hospital or having been in an accident. “Grave Mortal Danger” does not include wanting money to pay bills, has the flu, has an administrative question, wonders where something is, is concerned or excited about the status of Today’s Politics, or has heard a great joke.)
Viggo Mortensen and/or Geddy Lee and/or the ghost of John Ronald Reuel Tolkien are standing at the door asking to talk to me
Peter Jackson called and wants to discuss the movie rights for my book
A movie producer other than Peter Jackson has called and wants to discuss the movie rights for my book AND will rescind their offer unless I call them back before evening
Everything else, including a unicorn taking up residence in the potting shed, can wait until evening. Also, if Christ has returned, I probably already know about it.
* People I Care About
For purposes of the above Instances, the following individuals fall under the category “Someone I Care About.” (Please note that I have additional friends scattered throughout the world, about whom I do care, but these would be most likely to contact me directly rather than through you via our landline.)
my children and/or their spouses and/or their children or anyone about whom they are concerned enough to contact us
your children and/or your children’s significant others and/or your children’s significant others’ children or anyone about whom they are concerned enough to contact us
my siblings and/or their spouses or children and/or their children’s spouses or children or anyone about whom they are concerned enough to contact us
my cousin and her spouse and children or anyone about whom they are concerned enough to contact us
my last two remaining aunts or anyone about whom they are concerned enough to contact us (I do not, as far as I know, have any remaining uncles. If someone calls claiming to be my uncle, he is almost certainly a scammer.)
Any of our immediate neighbors, or anyone (except Donald Trump) about whom they are concerned enough to contact us
Any former member of my son’s rock band, including Hunter’s dog Zappa, or anyone (except Donald Trump) about whom they are concerned enough to contact us
Our cats (but not the chickens. I mean, I care about them and all, but their demises are rather too common to be remarkable anymore.)
Note that I do not include my parents or your parents in the above list, as they are deceased, but if any one or more of them attempts to contact us for any reason at all, please do feel free to interrupt me!
A long time ago in a universe far, far away, I sent a copy of my debut novel to one of my favorite authors of all time. I sent it for no reason other than to thank him for inspiring me by writing some of the most enjoyable fiction I’d ever read, and also to thank him for his support. His support had come, many years before, in the form of what is, to date, still the best writing advice I’ve ever received. That advice, to paraphrase quite heavily, is: “Qwitcherbitchin’ and write!”
Imagine my excitement when I received an email this past June from the editor of Fantasy and Science Fiction Magazine (to which I have been subscribed since I was a teenager – and I won’t tell you how long that has been!) The email asked me to review, before release, a copy of an overview of Seven Turns this favorite author of mine had written in his “Books to Look For” column for the July/August issue. I’ve been bursting at the seams ever since, dying to tell you all about it. Now it is finally July, and I can tell you!
The overview of Seven Turns is the third listing down, right between Philip K. Dick and John R. Little … seriously, am I allowed to yell “Squeeeeee!” now?
My favorite part is where he refers to some of the spirits Cally encounters in Woodley as “deities.” I wouldn’t have expected most people to recognize that’s what they (some of them!) are, but of course Charles de Lint would know a deity when he sees one!
Naturally I also immediately sent him a copy of Moonlight and Moss. Not sucking up for another review or anything, but I want to see if he recognizes the other deities, because this volume deals much more heavily with the denizens of the faerie side of the meadow gate. (Oh, who am I kidding – he’ll not only recognize them, but is probably on first-name terms with some of them.)
Now, if you are one of my fellow writers in the #writingcommunity and you are wondering how to get your inspiration flowing, how to find time to write, wondering if you’re just a hack or what, here is the best advice I can pass on to you:
You know how it goes: It feels like I’ve been waiting for this day forever, but on the other hand, it all went so fast, once I finally decided on a release date.
That, they say, is normal to the point of being trite. Here’s the really weird thing, though: I feel like it all happened so long ago! I’ve been working a lot, lately, on the next book in this story-cycle, so that now when I talk about my work I get all mixed up about which story I’m talking about. I hope I don’t end up giving away any spoilers that way!
Each of the books in this story cycle is designed to stand on its own. The end of each book winds up the main plot and finishes the current story (with just a few Questions to give you a hint at what the next one might be about!)
You still might prefer to read them in order if you can, though, to avoid spoilers. Seven Turns happens, chronologically, before Moonlight and Moss and also focuses on Callaghan McCarthy. I am pretty sure there will be one more story (not counting the Christmas Episode – stay tuned!) with Cally at its heart. I have tentatively titled the next tale “Rivers and Roads.”
From here, I can see at least seven stories about Woodley, USA and it’s quirky denizens, and that seems like an appropriate number of rivers to cross. But you never know. There are a lot of people – and you know what I mean and do not mean when I say “people!” – calling my name. People who want their stories, also, to be told. I guess I’ll find out when I get to that bend in the road!
…and then they came upon the Thing…
(With many thanks to The Men for their amazing song and all the inspiring imagery it lent me.)
It’s official! Moonlight and Moss will be released on May 31, 2019. The launch party will be on Saturday, June 1, at 3:PM at Page 158 Books in Wake Forest, NC.
I can’t say enough good things about Page 158! Not only are they the coziest independent bookstore I’ve ever been inside of, but the staff are all friendly, fun, and knowledgeable, and the proprietors are active participants in the community. They really love supporting local and independent authors. If you live anywhere near Raleigh, you need to visit this store!
But especially visit it on June 1, 2019. Not only will I be debuting Moonlight and Moss, but There Will Be Cake! Just sayin’. 🙂
If you can’t make it to the party, we’ll be live-streaming it on my Facebook author page: facebook.com/kimbeallauthor and I hope to see you there!
It’s official! The release date for Moonlight and Moss is May 31, 2019. But you can pre-order it right now (see links below)!
Now, I’ve never understood authors who make their pre-order price higher than the regular price. It’s like you’re punishing your biggest fans for their enthusiasm. I think my Biggest Fans should be rewarded! Honestly, I’d make the Kindle version like 1 cent for pre-order but Amazon doesn’t allow anything lower than $2.99, so I did my best! The pre-order price is $2.99 – after June 1, the price will be going up to $4.99. Barnes & Noble has made the paperback available for $11.99; after release it will go up to the full price of $15.99.
My journey to deciding to self-publish was fraught with self-doubt and anxiety, but I’m glad now that I did it. The interior design stuff (especially getting the pagination to match up with my table of contents) was kind of a nightmare! But I really had a lot of fun being an active participant in the cover design. I’m really proud of the final product, and I hope you’ll like it, too!
Let me state unequivocally, here, for any other authors
considering whether to self or traditionally publish:
Fear of “loss of creative control” should never be a factor
in deciding whether or not to publish traditionally because, frankly, it’s a
complete and utter myth.
Even with traditional publishers, the author retains authority (that’s where the word “author” comes from, peeps!) and has final say over any and all suggested changes. Fear of “loss of creative control” was not why I decided to self-publish Moonlight and Moss. I chose this route because it became evident to me early in the querying process that it was highly unlikely any traditional publisher would ever be willing to pick up the second book in a series. Once I finish Cally’s story arc in the Woodley, USA universe (this will happen when Rivers and Roads is released in 2020) I will begin a new series. It will probably also take place in Woodley, but since it will be a whole new series with a whole new main character, I will be ready to begin pursuing traditional publishing again.
Because I have other things to do besides going crosseyed formatting text for PDFs and .epubs. I have many books to write before I sleep!
Oh, and that reminds me: Who would you like the main
character of the next series to be? Is there anyone you’ve already met whose
story you’d like me to explore from their own point of view? Or would you like
a new main character all together? Let me (as the YouTubers say) know in the
As promised, here is my little tale of “Why I Might Have to Self Publish Whether I Like It or Not.”
As most of you know, I am currently actively seeking representation for “Moonlight and Moss,” which is not technically the sequel to Seven Turns, though it takes place in the same universe. And has the same main character. And happens chronologically just a few months after the end of Seven Turns. But still, it’s not a sequel, per se! I have been careful to make sure it could stand alone, if someone reads it who has not read Seven Turns. Beta readers have assured me it is in fact perfectly easy to follow even if they do not know what happened in Seven Turns.
Still… try explaining that to a literary agent. I mean
without adding the above ninety or so words to an already-probably-too-long
Agents, as a rule, are not keen on picking up an author mid-series,
and I can’t say I blame them. Some are OK with this, though, and I will continue
to search for one.
But why not just publish Moonlight and Moss through my existing publisher, you ask? The one who published Seven Turns? Well, this is where it gets tricky. I like my existing publisher just fine, but they don’t have the capacity to give my work the kind of service I feel it deserves. They do not have a marketing department, for one thing, and yes. Yes, yes! I’ve already heard it a million times! “But today’s authors are expected to market themselves!” Yes, I know! And I do! I do All The Things. I’m not very good at it, but just look up at the top of this page and click the link to the previous post to find out why I am not interested in learning how to become good at marketing.
“Fine, then,” you say. “This means you are
doomed to obscurity because unless you are published by the Big Five, the
success of your writing is based solely on
your marketing skills.” This is not completely accurate for two
reasons: 1) There are more than five publishers who don’t expect their authors
to be the only person on the marketing team and 2) my work is, in fact, good
enough for the Big Five. (But that’s a different discussion all together.)
The thing is, it’s not just about marketing – it’s also about distribution.
I had never heard the word “Distribution” before Seven Turns came out. Well, not in the context of publishing. I didn’t realize, until after I started trying to market my work, that bookstores do not like having to deal with Amazon. My publisher – like many other small, independent publishers – distributes only through Amazon POD. I noticed early on in my marketing efforts that the minute I used “the A-word,” as they called it, bookstore managers would grimace and shake my hand and wish me luck. I didn’t understand what was going on until the owner of my own lovely local indie bookstore explained it to me.
Apparently, Amazon treats booksellers like crap. Amazon considers its colleagues in the publishing industry to be competition, and Amazon does not appreciate competition. It wants to be the only game in town. For this reason, it does not offer retailer discounts on books, nor does it offer a return policy on unsold copies, as do the book distributors who work for other publishing companies.
Mind you: your local bookstore will happily order a book for you from Amazon, but they will not make any profit on it, and they will have to eat the shipping costs, as well, but they will do it for you because they want to be your friendly neighborhood bookseller. They will not stock Amazon KDP-produced books on their shelves, though some do happily stock them for me if I order them myself with my author discount, then carry them to the store myself and hand them to them to sell on a commission basis.
This works fairly well for me, for my local booksellers, but I am not going to be able to physically carry or ship copies of my book to every bookstore in the country, and that’s where I want my books to be available: in every bookstore in the country. For that, I need a distributor.
So what I am searching for, now, is a publisher who works with
an actual distributor, so that booksellers can obtain copies of my books the
way they do the other books you see on their shelves. I may be able to find
this publisher on my own, or I may need to obtain representation from a
literary agent to find one for me. I’d much rather have an agent, if I can.
Except that “the serial problem” mentioned above
is making this already daunting task several orders of magnitude more
I have been advised by industry professionals to just scrap the entire Callaghan McCarthy/Woodley, USA storyline and start over with a new series, which agents will be more willing to look at. But I’m not gonna do that, y’all. I’m not going to pull a George R. R. Martin on you! I promise I will finish Cally’s entire story arc before I start writing the stories of some of Woodley’s other denizens.
This means that if I do not get some more traditional nibbles
for “Moonlight and Moss” soon, I will go ahead and self-publish it,
so that people who are clamoring to find out what happens next with Cally and
Ben and George and Emerald are not left hanging. I had originally intended to
release about one volume a year, when I set out, and I am determined to remain
as close as I can to this schedule. If this means I have to self-publish the
next two volumes, so be it!
And then I’ll start in on the story of one of Woodley’s other quirky citizens. Who would you like it to be?
So I took a break, after finishing the final draft of Moonlight and Moss (working title – but probably actual title, too!) to clear my mind before diving into Query Hell once again.
During the month of November, I participated in NaNoWriMo and wrote a little (for me) vignette about what Christmas is like in Woodley, USA. I really like how it came out! It’s been fascinating to find out why it snows every Christmas in Woodley, in a part of the country that ordinary doesn’t get snow at all. And, I found out what happens if you don’t have a wish to whisper into Santa’s ear at midnight on Christmas Eve.
I’m so pleased with it I’m going to polish it up and self-publish it as a gift to my readers. Someday I’ll also include it in the boxed set once the third Woodley novel comes out. The title is A Midnight Clear. Chronologically, it falls between Moonlight and Moss and the third volume which does not, yet, have a working title.
Now that I’ve got all the Beta-reader input back on Moonlight and Moss, I’m going to comb through it one last time to make sure it’s as perfect as possible before I begin submitting it for publication. I have received some great coaching on querying from people in the industry (particularly from Meg LaTorre at iWriterly, who gives a great online class on query-writing) and maybe I’ll have better luck this time finding good representation for traditional publishing.
That was my New Year Resolution for 2019: to find a new traditional publisher.
And here I must apologize to you, dear readers. Since I am, in fact, looking for a new publisher for “Moonlight and Moss,” this means it will take longer to hit the shelves than I anticipated, had I stayed with my current publisher. I feel terrible about this, because I know so many of you are clamoring for the next story. Believe me, I can’t wait for you to see it, either! But I really do feel these stories at least deserve a publisher which has distribution and marketing capabilities, and I must do right by them and find one.
To make it up to you for this delay, I’m going make the story I wrote about Luke, the proprietor of Motherboard Pizza, available for free. I can do this for the e-book version, anyway, though Amazon does require I put a minimum price of $2.99 on paperback copies. It includes a map of Woodley and the floor plan of the ground floor of Vale House, if that sweetens the bitter pill at all!
Also, I intend, in the interim, to give you some sneak-peeks at sample chapters of Moonlight and Moss, here on my blog. Stay tuned…
I know that’s not what you’re asking for, though, and I do promise to get “Moonlight and Moss” out there as soon as humanly possible. Without taking shortcuts on quality or on carefully reviewing publishers’ qualifications, of course!
When I first created Luke, near the beginning of Seven Turns, I really didn’t mean for him to be anything more than a one-time walk-on character who would say a few lines, serve his purpose and exit stage left. Apparently he wasn’t satisfied with a bit part, though. By Chapter 24 he had decided to stick around, and had developed a personality of his own. I discovered he was into computer repair, gourmet pizza toppings, bad jokes and winding up the town elders. Who knew? Certainly not I.
As I began work on Moonlight and Moss I learned that he also plays keyboards and that he, well, he understands a lot of things about Woodley that most of its denizens just turn their heads and avoid talking about. When I ran into a few plot conundrums, I decided to interview him to get his perspective on the story. (I had done this with Seven Turns, at this point in crafting that story, as well. That time, I had asked Foster to tell the story from his point of view and, let me tell you, I was constantly worried I would end up in jail if I ever got pulled over and the cops found that notebook on me!)
Turns out, young Luke had quite a lot to say. He’s really a remarkable young man, and Woodley is more fortunate than it realizes to have him around. He took the ball and ran with it, and he not only helped me find the answers to the plot holes that had been plaguing me, he gave me a lot of other insights, as well, into what makes Woodley tick.
The fact is, all characters will do this sort of thing if you let them.
I found Luke’s voice so delightful, though, that I decided to write it up as a short story to give as a gift to my beta readers and my initial fans. This was my first foray into Self Publishing and, I have to say, it was kind of a rush! I can totally see why everyone is so enthusiastic about it. I don’t have any intention of making a profit from it at all, of course, so I have priced it at the absolute minimum Amazon allows. Of course, if you have Kindle Unlimited, it’s free with your monthly subscription anyway. Oh, and if you were one of my beta readers, I’ve already ordered you a copy – look for it soon in a mailbox near you!
I also put a map of Woodley and a floor plan of Vale House inside the front and back covers, because I thought fans of the series would appreciate being able to see those. I hope you enjoy it as much as Luke enjoys wild mushroom and artichoke heart pizza with cave-aged gorgonzola!